Filipino director Brillante Mendoza brings a frank, gritty immediacy to SERBIS, a multi-character, day-in-the-life portrait of a family-run movie house in the Philippines. Only this isn’t your typical movie house. It’s actually a downtrodden venue that shows graphic double features and allows the clientele to make their own sexual connections in the dark shadows. Today is a very important day, for Nanay Flor, the family matriarch, is going to discover if she won a years-in-the-making bigamy case against her husband. Meanwhile, her children are involved in dramatic situations of their own. Alan has just learned troubling news about his girlfriend, and Nayda is married but attracted to her cousin Ronald. As the day develops and the verdict comes down, the Pinedas struggle to focus on the daily tasks associated with the theater, even as their own personal conflicts threaten to overwhelm them.<br><br>Shot on video, SERBIS recalls films from the Dogme 95 movement. Mendoza and screenwriter Armando Lao have clearly constructed these dramatic situations, yet they are shot on consumer video with such energy that the film often feels like a documentary. Mendoza pulls no punches, showing multiple scenes of behind-the-scenes sexuality that are even more graphic than the X-rated behavior unfolding on the cavernous theater’s silver screen. SERBIS provides a realistic, unflinching glimpse into this hyper-sexualized world.
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This post was written on December 29, 2008
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Matteo Garrone’s GOMORRAH is a dense, sprawling exposé of the corruption plaguing the communities of Naples and Caserta in modern-day Italy. The all-powerful Camorra syndicate influences the lives of even the most innocent citizens. In a manner similar to THE WIRE, Garrone tells his story from many different angles, resulting in a complicated narrative that often feels novelistic. In many cases, the revolving stories never overlap or intersect. While that may be jarring to those viewers who are used to having their strings tied neatly for them by a film’s conclusion, Garrone’s decision results in an experience that feels much more honest and true. We witness the syndicate’s impact from the top down and from the inside out, following a cavalcade of characters who are all trying in their own ways to escape the deadly world in which they live. <br><br>Based on the book by Roberto Saviano, Garrone’s crime epic is a powerful indictment of the corruption that is running rampant in Italy. His decision to present such a wide spectrum of characters enables him to show just how deeply everyone is impacted by this terrifying, unchecked display of criminal power. Cinematically, he employs a dizzying array of styles in order to further establish the frighteningly ungoverned atmosphere that pervades this community. GOMORRAH succeeds as both visceral entertainment and thoughtful social commentary.
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This post was written on December 28, 2008
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Documentarian Seth Gordon (THE KING OF KONG: A FISTFUL OF QUARTERS) makes his feature film directorial debut with FOUR CHRISTMASES. Kate (Reese Witherspoon) and Brad (Vince Vaughn) are a happily unmarried couple who avoid spending Christmas with their families at all costs and instead travel to exotic locales. But when they find themselves fogged in at the San Francisco airport and their flight to Fiji cancelled, they have no choice but to spend the holiday with their divorced parents and the rest of their dysfunctional relatives. From his wrestling brothers and cradle-robbing mother to her oversexed grandmother and perfect sister, the couple is forced to face their worst nightmare head-on. Kate and Brad\’s greatest fears are realized as their families share their most personal secrets.<br><br>This film addresses broader themes of how people really know each other and the importance of connecting with family, no matter how crazy they might be. Vaughn and Witherspoon have nice chemistry as a couple that thought they had everything they wanted, improvising and playing off of each other well. Robert Duvall and Sissy Spacek appear as Brad\’s parents, while Jon Voight and Mary Steenburgen play Kate\’s parents. Jon Favreau and Tim McGraw are a hoot as Brad\’s tormenting brothers, and Kristen Chenoweth fits the bill as Kate\’s sister. Parents should be aware that the film includes adult language and themes, and some comments about Santa that may upset young children.
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This post was written on December 27, 2008
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MOULIN ROUGE\’s Baz Luhrman and Nicole Kidman reteam for this epic that pays homage to their homeland. In AUSTRALIA, Lady Sarah Ashley (Kidman) is a prim and proper Englishwoman who journeys to Australia in the years before World War II reached the country\’s shores. She is determined to have her estranged husband sell his cattle ranch to a monopoly-craving businessman named King Carney (Bryan Brown), but when she arrives, Lord Ashley is dead, and her plan to sell the ranch changes when she sees an employee named Fletcher (David Wenham) cheating her husband\’s business and mistreating a young boy named Nullah (Brandon Walters) because he is of mixed race. Urged on by both pride and a sense of justice, Lady Ashley wants to drive her herd of cattle to Darwin so she can sell them to the troops, but she\’ll require the help of an independent cowboy (fellow Aussie Hugh Jackman) to get them there. <br><br>AUSTRALIA changes genres almost as much as Kidman\’s character changes from fantastic costume to fantastic costume (courtesy of Luhrman\’s wife and collaborator, Catherine Martin). The film begins as a fish-out-of-water comedy, then changes into a Western, then morphs into a romance, and it finishes as a World War II drama. But in this genre-bending epic, there\’s something for everyone, especially for fans of Jackman. The actor has rarely looked better, and there\’s plenty of opportunity for him to show that he can be an action star as well as a romantic lead in the mold of the Golden Age stars. The film itself harks back to classic Hollywood, at times resembling essentials such as GONE WITH THE WIND and THE AFRICAN QUEEN. And fans of THE WIZARD OF OZ will enjoy seeing how the beloved film works its way into AUSTRALIA\’s plot and score.
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This post was written on December 27, 2008
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Bella Swan has always been a little bit different, never caring about fitting in with the trendy girls at her Phoenix high school. When her mother re-marries and sends Bella to live with her father in the rainy little town of Forks, Washington, she doesn\’t expect much of anything to change. Then she meets the mysterious and dazzlingly beautiful Edward Cullen, a boy unlike any she\’s ever met. Edward is a vampire, but he doesn\’t have fangs and his family is unique in that they choose not to drink human blood. Intelligent and witty, Edward sees straight into Bella\’s soul. Soon, they are swept up in a passionate, thrilling and unorthodox romance. To Edward, Bella is what he has waited 90 years for — a soul mate. But the closer they get, the more Edward must struggle to resist the primal pull of her scent, which could send him into an uncontrollable frenzy. But what will Edward & Bella do when a clan of new vampires — James, Laurent and Victoria — come to town and threaten to disrupt their way of life?
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This post was written on December 27, 2008
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Comic actress Anna Faris (LOST IN TRANSLATION, SCARY MOVIE) shines in her starring turn in THE HOUSE BUNNY, a hilarious and heartfelt tale of female empowerment. As the film opens, Shelly Darlingson (Farris) is Big Bunny on Campus at Hugh Hefner’s Playboy Mansion. With her 27th birthday approaching, Shelly eagerly anticipates fulfilling her dream: to be centerfold of the month. But when she learns that she’s being booted from Bunnyland, Shelly finds herself with no family or place to call home. Desperate for both, she lucks across the socially inept sisters of the Zeta Alpha Zeta sorority. With no hope of attracting new pledges and the consequent threat of losing their sorority, the girls of Zeta take in the bubbly Shelly as their new “house mother.” Shelly immediately sets to work helping the Zetas bring out their inner glamazons, luring in boys while drawing the ire of rival sorority Phi Iota Mu. Shelly also catches the eye of Oliver (Colin Hanks), who forces her to realize that it will take more her Playboy Mansion ways to win over a good man. Plus, Shelly discovers that her social insights have transformed the Zetas into the very superficial types they once railed against. And when Hugh Hefner calls to offer Shelly her dream centerfold shoot, she must choose between returning to the family that loved her best and saving the family that needs her most. Faris (who co-produced the film) is a comic delight as Shelly, with a perfect blend of sexy charm and sweet-natured cluelessness. Supported by an excellent cast of fresh faces and seasoned veterans, THE HOUSE BUNNY is an irresistible tale of inner beauty and “sisters” sticking together.
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This post was written on December 24, 2008
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John Leguizamo and Freddy Rodriguez star in this moving comedy about a holiday gathering that reunites a family in Chicago. NOTHING LIKE THE HOLIDAYS is directed by Alfredo de Villa (WASHINGTON HEIGHTS), and it also features Debra Messing, Alfred Molina, Jay Hernandez, Melonie Diaz, and Luis Guzman.
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This post was written on December 20, 2008
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Milk
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This post was written on December 20, 2008
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Combining Western-style car chases and Hong Kong-inspired fight sequences choreographed by martial arts legend Cory Yuen, the Luc Besson-created TRANSPORTER films have found international success as a sort of working-class James Bond series. Jason Statham, who has become the go-to guy for big-budget B-movie thrills, returns once again as Frank Martin, the driver-for-hire for whom no job is too risky. Brimming with the usual jaw-dropping stunts, this is another crowd-pleasing entry in the saga, delivered at a brisk and flashy clip by director Olivier Megaton. Following the coercion of Ukrainian environmental official Leonid Vasilev (Jeroen Krabbe) into signing papers permitting the shipping of toxic materials into a harbor by criminal mastermind Johnson (Robert Knepper), Frank Martin is forced into accepting the job of driving Vasilev\’s kidnapped daughter, Valentina (Natalya Rudakova)–acting as human collateral–from Marseilles to the Black Sea coastal city of Odessa. On the chance the Martin should attempt to flee, Johnson has rigged him with a bracelet that will detonate if he strays more than 75 feet from his car. When Valentina is intercepted by a rival group, Martin will have to push his Audi M8 to the limit to complete his mission and ensure his own survival. <br><br>The TRANSPORTER films require copious amounts of suspension of disbelief, but then again, one doesn\’t hope they will strictly adhere to the laws of physics. The third volume provides ample thrills, not the least of which is the sight of a car driving off a bridge onto a moving train. Plenty of screen time is also given to Statham\’s superhumanly chiseled torso, while freckled Rudakova\’s unconventional beauty balances out the sex appeal. In the end, Statham\’s undeniable likeability propels the film, and his chemistry in a handful of scenes with François Berleand, returning as Inspector Tarconi, provides some nice comic moments.
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This post was written on December 20, 2008
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In 2008\’s MADAGASCAR: ESCAPE 2 AFRICA, the endearing New York City zoo animals of the original hit movie return for another zany round of CGI adventures abroad. Leaving the island of the title by way of a ramshackle penguin-designed aircraft, the quartet of Alex the Lion (voiced by Ben Stiller), Marty the Zebra (Chris Rock), Gloria the Hippo (Jada Pinkett Smith), and Melman the Giraffe (David Schwimmer), along with unlikely friends such as King Julien the Lemur (Sacha Baron Cohen), crash-land on the African savannah, setting in motion a whole new series of exploits, involving Alex\’s long-lost parents (Bernie Mac and Sherri Shepherd) and a stranded group of tenacious NYC human tourists.<br><br>Reuniting directors Tom McGrath and Eric Darnell, as well as all the principal cast members of the first film, MADAGASCAR: ESCAPE 2 AFRICA takes full advantage of its sweeping setting, making room for beautifully expansive landscapes amidst the mammal mayhem. While the leads are in fine form, they are ably assisted by series newcomers, including the late Mac, Shepherd, and Alec Baldwin, who plays a scheming rival lion. Though various plotlines get increasingly ridiculous as the movie goes on (see the return of MADAGASCAR\’s aggressive Grand Central Station granny), the good-natured main characters and their silly support players (particularly lemurs and penguins) keep ESCAPE 2 AFRICA entertaining no matter how far the story strays off the wildlife reserve.
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This post was written on December 20, 2008
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